Murano, the Glass Island
A Travel Guide to Murano, Italy

ABOVE: A glassblower offers a free tourist
demonstration at the V.I.A. fornace near Murano's Colonna waterbus stop
Note:
If you're primarily interested in Murano glass (not travel), please
click here.
In English-speaking countries, glass
artisans are often performer-pitchmen at craft shows and festivals, where they
blow glass baubles for a few dollars or pounds each. But there was a time when the trade
of glassblowing--indeed, glassmaking in general--was an elite pursuit dominated
by
craftsmen in the Venetian Republic, most notably on the island of Murano
in the Venetian Lagoon.
"Supplying quality glass products since 1291"
Murano was a commercial port as far back as the 7th Century, and by the 10th Century it
had grown into a prosperous trading center with its own coins, police force, and
commercial aristocracy. Then, in 1291, the Venetian Republic ordered glassmakers to move
their foundries to Murano because the glassworks represented a fire danger in Venice,
whose buildings were mostly wooden at the time.
It wasn't long until Murano's glassmakers were the leading citizens on the island.
Artisans were granted the right to wear swords and enjoyed immunity from prosecution by
the notoriously high-handed Venetian state. By the late 14th Century, the daughters of
glassmakers were allowed to marry into Venice's blue-blooded families. (This was roughly
equivalent to Archie Bunker's daughter being invited to wed a Cabot or a Peabody.)
Such pampered treatment had one catch: Glassmakers weren't allowed to leave the
Republic. If a craftsman got a hankering to set up shop beyond the Lagoon, he risked being
assassinated or having his hands cut off by the secret police--although, in practice, most
defectors weren't treated so harshly.
What made Murano's glassmakers so special? For one thing, they were the only people in
Europe who knew how to make glass mirrors. They also developed or refined technologies such as
crystalline glass, enameled glass (smalto), glass with threads of gold (aventurine),
multicolored glass (millefiori), milk glass (lattimo), and imitation
gemstones made of glass. Their virtual monopoly on quality glass lasted for centuries,
until glassmakers in Northern and Central Europe introduced new techniques and fashions
around the same time that colonists were emigrating to the New World.
Commerce, art, and kitsch
Murano is still an exporter of traditional products like mirrors and glassware, and its
factories produce modern items such as faucet handles, glass lampshades, and electric
chandeliers.
At the retail level, there's a growing
emphasis on art glass and--most important of all--the souvenir trade.
Visit the ubiquitous glass shops on Murano or in Venice, and you'll find countless
paperweights, glass beads and necklaces, knickknacks, and items of glass jewelry. Some are
amusing: e.g., colored fish in transparent glass aquariums, or wrapped hard candies of
multicolored glass. Others are pretty--glass necklaces and beads, for example. Still
others are "hideous," in the words of Jan Morris, who adds:
"The Venetians still profess to find Murano glass lovely, but sophisticates in
the industry, if you manage to crack their shell of salesmanship, will admit that bilious
yellow is not their favorite color, and agree that one or two of the chandeliers might
with advantage be a little more chaste."
To be fair, Murano's artisans do produce beautiful works of contemporary art from glass,
although some of the designs are by foreign artists. Visit the better
galleries and showrooms on Murano,
and you'll
find works that are technically and aesthetically stunning. Also, don't miss the
island's glass museums and leading churches.
To plan your trip to Murano (which is only a
few minutes from central Venice by public waterbus), use the navigation table or
the "Next page"
links at the bottom of each page.
For collectors:
If you collect Murano glass, be sure to see my descriptions of
books about Murano and
its glassmaking industry, along with my page on
Murano glass restoration and repairs.
Next page:
Murano glass museums
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Inset photos copyright © Michel Velders (1),
George Green (2),
José Antonio Santiso Fernández (3), Eliza Snow (4).
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