Durant and Cheryl ImbodenDurant and Cheryl Imboden's
Venice for Visitors
veniceforvisitors.com
Google
 

"Best of the Web" - Forbes and The Washington Post
Blogs: Venice Travel Blog 'Maggie in Venice' Dog Blog


Booking Tools

map

Venice Hotels
Use Venere's listings and interactive map, or browse our Venice Hotels Directory.

photo

Venice Tours and Day Trips
Book excursions before you leave home.

Venice apartment

Venice Apartments
Staying longer than a few days? Save money with a holiday rental.


Europe

Europe for Visitors


About Us
E-mail, PR/media info, advertising, privacy policy.

Currency Converter

Twitter logo

 

Bottega del Tintoretto

Bottega del Tintoretto workshop

ABOVE: Roberto Mazzetto, director of the Bottega del Tintoretto, demonstrates printmaking techniques.

In the 1500s, the Venetian artist Jacopo Robusti--better known as Tintoretto--operated a printmaking laboratory in the ground floor of his house on the Fondamenta dei Mori in Cannaregio, a few blocks from his parish church of Madonna dell'Orto. In 1985, master printer Roberto Mazzetto converted Tintoretto's former workshop back into a graphics workshop, and the Bottega del Tintoretto continues to serve as a a cooperative laboratorio for Venetian and foreign artists a quarter of a century later.

The Bottega--also known as the Stamperia del Tintoretto--is outfitted for lithography, etching, relief, and silkscreen printing, using antique equipment that has been restored under the direction of Signor Mazzetto.

Artists can create their own editions with help from Signor Mazzetto, or they can turn their designs over to the master printer and his volunteer staff for printing. (Many of the Bottega's 60 professional members choose the latter.) The shop will also provide bound editions for artists, school classes, and other clients.

Take a course or bring a class

In addition to serving as a workshop for artists, the Bottega del Tintoretto offers courses in printmaking, bookbinding, papermaking, typography, watercolor, fresco, mosaic, and sculpture. Some classes are taught one day a week from October through April. Others are intensive five-day seminars in disciplines such as traditional print techniques, lithography, experimental printing, and relief printing (e.g., woodcut).

Academic groups are also welcome. The ideal class size is 10 students, although up to 15 students can be squeezed into the shop. Teaching is most efficient when the students know Italian or bring an interpreter, but an English-speaking staff member is usually on hand.

Continued on page 2


     Our travel blogs:

     More about Italy:

     Other topics of interest:

   



Copyright © 1996-2010 Durant and Cheryl Imboden and their licensors.
All rights reserved.